Movies: Apichatpong Weerasethakul
- 2014
Fireworks Sketch (2014)
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This film is a study for "Fireworks (Archives)", a fiction set at night-time amng the animal scultures at Wat Sala Kaew Ku Sculture Park. For Weerasethakul, these scultures represent a form of rebellion against tical oppression and the harshness of d...
- 2013
La Punta (2013)
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A short film made for "Venezia 70 - Future Reloaded."...
- 1999
Malee and the Boy (1999)
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The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker i...
- 1999
Windows (1999)
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Windows is Weerasethakul’s first work in video. It is an improvisational piece using little physical movement to capture the “natural phenomena” occurring between the video camera, television screen, and window....
- 2022
Three Rocks (2022)
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"Even with your eyes open, you can't see anything. You are a part of the earth's limitless manifestations." (Weerasethakul) These stones taken from the Chiang Dao Cave would sometimes spur the artist to contemplation, recalling the "obscurity of the...
- 2022
Sleep Song (2022)
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"A ghost band only plays at night and in dreams. Tilda and Sam are carried away by their song as they practice birth and death in the realm of no time." (Weerasethakul)...
- 2003
Nokia Short (2003)
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A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera....
- 2018
Home (2018)
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- 1969
Home (1969)
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Home is a portrait of Apichatpong Weerasethakul’s house in Chiang Mai, during monsoon season....
- 1969
Sarit (1969)
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The bas-relief represents Sarit Thanarat, former Thai prime minister who ruled Thailand in the early 1960s. This wall is also located next to a statue of Sarit, in the city of Khon Kaen, where Apichatpong Weerasethakul grew up. The artist represented...
- 2001
Father (2001)
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- 1994
0116643225059 (1994)
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0116643225059 is an early experimental film by Weerasethakul made during his time at SAIC. The work is about a long-distance telephone conversation between the filmmaker and his beloved mother in Khon Kaen, Thailand. Weerasethakul superimposed a phot...
- 2012
Cactus River (2012)
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Cactus River is a diary of the time Apichatpong Weerasethakul visited a newlywed couple near the Mekong River....
- 2024
Le bureau qui avait peur (2024)
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- 2002
Second Love in Hong Kong (2002)
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Second Love in Hong Kong shares a common theme in the art works of Christelle and Apichatpong – a minimalist portrayal of hybrid fiction/non-fiction landscape. Here the filmmakers focus on an imaginary character named Hong (Swan) who travels from Tha...
- 2009
A Dedicated Machine (2009)
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Nabua’s spaceship as an ideally manufactured vessel slowly lifts off from the ground and flutters in the air for a moment. Then it moves back down to the earth. This loop portrays a never-really-taking-off spaceship....
- 2022
A Conversation with the Sun (Installation) (2022)
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Interrogating the possibilities of an existence without his memories, A Conversation with the Sun draws on selected self-documented footage over several years – the means in which the artist has chosen to record his life since he embarked on filmmaki...
- 2022
On Blue (2022)
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A short film directed by Apichatpong Weerasethakul in collaboration with composer Rafiq Bhatia and the Cincinnati Symphony Orchestra....
- 2014
Apichatpong Weerasethakul Solo Exhibition - PHOTOPHOBIA (2014)
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Apichatpong Weerasethakul's solo exhibition "PHOTOPHOBIA" is held commemorating the 5th anniversary of the opening of Kyoto City University of Arts Art Gallery @KCUA....
- 2009
Haiku (2009)
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In this video diary, Weerasethakul documents the set of Primitive Project in Nabua, Thailand, particularly the scene when teenagers are hypnotized and sleep inside a time machine....